With the premiere of Shang-Chi and the legend of the Ten Rings, Marvel will further expand its already overcrowded superhero universe. On the other hand, DC prepares to redefine the tone and meaning of its film franchise after the shake of the Snyder Cut from The Justice League. But beyond the great heroes of the best known sagas, superhero movies are taking a new direction. One that leads them towards independent proposals, often more peculiar and surprising than the traditional ones.
It is a challenge that combines science fiction, fantasy and action in proposals that challenge the best-known sagas. Perhaps without the astronomical budgets available to larger productions, the New superhero movies challenge the notion of power.
They also do so with originality, ingenuity and using the limited resources at their disposal. The best? That most of the time they rebel against the traditional ideas of superheroes to create something amazing.
We leave you a selection of several superhero movies that you may not know, but that will surprise you more than you might suppose.
What began as a short film in 2016, became in 2019 a proposal for superhero films that reinvents the traditional genre. Contrary to the usual epics of characters with special powers, in the universe of Code 8 the extraordinary condemns them to marginalization. So Connor Reed (Robbie Amell) is on the verge of being legal.
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As if that weren’t enough, he must pay for his seriously ill mother’s medical treatment. The double pressure of responsibility and its quality as an outcast they push Connor to the worst decision of his life. The following is a mix of action, drama and a great sense of the visual to tell a complicated story. Little by little, the idea of the superhero becomes more complex, harsh and painful. An achievement of script and narrative rhythm that surprises for its good work.
Before being the evil Ravonna Renslayer in the series of Loki, Gugu Mbatha-Raw starred in Fast Color, a quirky look at heroism. The superhero movie follows the story of a generational line of women with extraordinary talents. But beyond that, he delves into complex issues such as cultural heritage, uprooting and loneliness.
As a plot experiment, the film is much more a journey through emotions than a display of action. Perhaps a stronger and more controversial point, when using inexplicable capacities as a reflection of human nature.
‘Freaks: 3 superhéroes’
Maybe it couldn’t be directly classified as part of the superhero movie genre, but this Netflix movie is a brilliant take on portentous abilities. Everything, under a journey through conspiracy theories, versions about the idea of the heroic and the power of personnel as a weapon.
The film, with its elaborate combination of suspense and power as a substantial element to understand the other, is a success in discourse and proposal. It is also a look at the dark reverse of the heroic: what is hidden beyond an astonishing capacity?
‘The Protected One’
After the success of the Sixth Sense (1999), came the surprise foray into the genre of superhero movies. But he did it using the codes of suspense and horror cinema. The result is a amazing movie for its quality, its slow deployment of resources and its pessimistic outlook on power.
The Protected dig deep and explore power in a realistic realm. He also does it through a tragic character who fears his own portentous nature. As if that wasn’t enough, you must face a mysterious enemy that is hiding in plain sight. The combination creates a film amazing in its effectiveness and strength. It is the first step in the trilogy that completes Multiple (2017) and Cristal (2019), both directed by Shyamalan.
What happens when you combine ambition, fear, a clumsy adventure partner, and unsettling moral ambiguity? You have as a result the kind of superhero movies that make you uncomfortable Even if you don’t know why Gunn’s weird take on heroism, time, and creating a moral perspective on extraordinary abilities isn’t pretty. In fact, it is disturbing in all its extreme doom.
With a very harsh and puzzling notion about time and identity, it is also a conclusion about the lust for recognition and the amazing. A topic rarely touched on in the movies, but Gunn takes it to an unpleasant and even ruthless extreme.
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Superhero movies that don’t come from a comic book